Umaid Singh Gold Mohur, with the name of George
V, Om in Nagari as a daroga mark above Persian
numeral 5 signifying George V on obv., Shri Mataji
and sword on rev (J.Lingen J.15.01). Very Fine+.
Akbar Silver Rupee, Ahmedabad mint, AH 987,
Kalina type, mint name at the bottom. Shah Jahan, Surat mint, AH 1059. Aurangzeb, Akbarabad, AH 1139, (km 821, 300.24 & 300.15) very fine .
British India. Mint Error Rupee, ND (1911-1936). As type KM-524. George V. Mirror bockage on reverse mint error. NGC graded Extremely Fine, Details (Surface Hairlines).
Each of these large granite slabs, portrays the sculpted figure of a Dwarapalaka, elegantly poised, standing along with a small figure beside
it. The figures are wonderfully sculpted in high relief, exuding a powerful look. The Cholas ruled from the 9th to the 13th Century. They were
powerful and were true lovers of art and they built huge temples that boast of the most awe inspiring and wonderful sculptural work,
unsurpassed till today. The main entrance to these temples had a Dwarapalaka on each side of the doorway.
These Dwarapalakas are seen standing with a slight bend of the hip. They
were definitely shown carrying some sort of a weapon in their hand, maybe a gada, not visible now. As usual, the figures are crowned with the
typical fine Chola work. The jewelry that they wore is ornate, comprising multiple necklaces, armbands and anklets. The upper-body is bare and
the lower vestment is dhoti, which is beautifully draped around their sturdy legs in fine folds. This is held at the waist by thick and orante belt or band.
Both these Dwarpalas are strong and sturdy. The figures next to each of
them act as comparison to their heights. Dwarapalas are placed on either side of the doors of temples to ward off evil and also as a warning to those with bad intentions. Rarely can one come across such a wonderful pair of Chola dwarapalas.
This long wool shawl was hand woven
using the special 'kanni' technique, where
toothpick like sticks with thread wrapped
around them were used to create the
pattern. These minute sticks are passed
through finely woven Pashmina wool
shawls - a process that is painstakingly
long. Sometimes, weavers are barely able
to complete a square inch of a shawl in a
day’s work, which results in a very limited
output, making these shawls extremely
precious. It is said that some of the 'kanni'
shawls that were woven for the royal courts
could even take a decade to be completed.
It is also believed that because of the detail
and minute work in these shawls the
weavers could make only 2 shawls in their
life as there after their eyesight would not
be strong enough to work on these shawls
any more, thus making them extremely
exclusive.
This is piece is executed predominantly in
reds with the central in two colours.
This is piece is executed predominantly in reds. The colours in this shawl are extremely vibrant and stunning, giving it a look of Royalty, hand made in wool.
This long wool shawl was hand woven using the special 'kanni' technique, where toothpick like sticks with thread wrapped around them were used to create the pattern. These minute sticks are passed through finely woven Pashmina wool
shawls - a process that is painstakingly long. Sometimes, weavers are barely able to complete a square inch of a shawl in a day’s work, which results in a very limited output, making these shawls extremely precious. It is said that some of the 'kanni' shawls that were woven for the royal courts could even take a decade to be completed. It is also believed that because of the detail and minute work in these shawls the
weavers could make only 2 shawls in their life as there after their eyesight would not be strong enough to work on these shawls any more, thus making them extremely exclusive.
This long wool shawl was hand woven using the special 'kanni' technique, where toothpick like sticks with thread wrapped around them were used to create the pattern. These minute sticks are passed through finely woven Pashmina wool shawls - a process that is painstakingly long. Sometimes, weavers are barely able to complete a square inch of a shawl in a day’s work, which results in a very limited output, making these shawls extremely precious. It is said that some of the 'kanni' shawls that were woven for the royal courts could even take a decade to be completed. It is also believed that because of the detail and minute work in these shawls the
weavers could make only 2 shawls in their life as there after their eyesight would not be strong enough to work on these shawls any more, thus making them extremely exclusive.
This beautiful north Indian carpet was made with a
modern design. Mostly from Jaipur or Kashmir and
is made with the traditional bhukara design also
known as elephant feet. It is hand made and hand
knotted (350 knots per square inch), made from
pure wool.
This is a good quality hand made and hand knotted
(300 knots per square inch) woolen carpet with a
design of a chandelier in the center on a red backdrop with flowers across the borders.